The Day My Husband Wanted To Off My Guy

I enjoy the process of writing. It’s not always fun, but I embrace the challenge of researching, outlining, writing, and rewriting. My favorite part is running the different scenarios by my husband, Kraig.
A while ago, I struggled with a transitioning area in my storyline for Chemical Attraction, and he suggested breakfast at our local diner to talk about it. Of course, I agreed. First, it was his idea. Second, any chance not to cook was a plus. And, third, he was a good sounding board—although less so that day.
After ordering our breakfasts, I explained my dilemma. “What do you think I should do?”
He sipped his coffee. “I think you should kill off one of your main characters.”
“What? Who?” I demanded.
“Matt Connor.” His reply was so casual as if killing a person was a common occurrence. I wondered if I married a hitman.
With my mouth open, I tried to comprehend his words. “I can’t kill Matt. He has a wife and a son. They’d be devastated.”
In the middle of the crowded restaurant, our heated discussion received wide-eyed stares from the senior patrons closest to us. As I thought of Matt dying, I blinked away a few tears. My bastard husband laughed while I searched my coat pocket for a tissue.
“How could you suggest such a thing?”
Enjoying my grief, he smiled. “Have someone shoot him. Better yet, have a farm animal maul him to death…”
I blocked out his other malicious ideas and cried. With a sympathetic look, the waitress silently refilled my mug and slid a few extra napkins toward my silverware. I blew my nose with one while she glowered at my horrible husband.
He leaned forward. “Honey, he’s just a character.”
But Matt wasn’t. He had a family. He had feelings. In my head, I knew he was a made-up person. My heart thought different.
“How serious are you about writing?” he asked as the waitress delivered our meal.
I realized I was very serious. Our kids were grown, and I worked part-time. The writing started out as busy work. I had this idea and needed to get it on paper. However, the more I wrote the more compelled I was to write. I wanted to bring my characters to life—and not just alive in my head. Embarrassed by my emotional outburst, I quietly ate my breakfast. Kraig chuckled.
“Am I crazy?” I finally asked.
“Just passionate.” He tried to put a pleasant spin on it, but his wife was a nut job.
Later, I rationally considered his ideas and quickly dismissed them. Matt would be safe in this story. We’ll see what happens in the sequel.
I hope I’m not the only “passionate” writer out there with a crazy story like this. Care to share yours?


 
 

Comments

R.L. King's picture

R.L. King
July 6, 2012 - 5:23pm

William Faulkner said, "Kill your darlings." It is probabaly the very hardest thing to do when writing. I personally hate killing a character that I have come to love, but sometimes it is the only option. Personally, I agree with your husband... only because he didn't suggest I kill my darling.


 
Christina Thompson's picture

Christina Thompson
July 7, 2012 - 6:24pm

I'm still new to this game, so I think I'll continue to stab, shoot, and maim my characters before I kill them off...yes, torture...bahaha


 
Elizabeth Guizzetti's picture

Elizabeth Guizzetti
July 9, 2012 - 5:22pm

My characters are real to me too, so I understand.

The one thing I'll add however about killing is generally--unless you have zombies--it's permanent. So be careful about killing them in the sense that you might need Matt again later.

That happened to me once when I killed off a minor secondary character in one of my comics. Of course, it was after publication of the comic where I killed him, that I realized when I was writing the next issue that I still needed him. Dang it!
And no, it did not add tension. I used his brother-in-law to get the job done, but all it made the story a bit more convoluted.


 

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Christina Thompson's picture
Christina Thompson
 

FBI Agent Joe Roberts wants that instant chemistry with a woman like the ones his sisters have with their husbands. After years of searching, he finds it with Dr. Madeline Pierce. The problem—she’s his contact on a dangerous case.

When Madeline discovers an extensive operation of meth production and distribution within her medical research facility, Joe goes undercover as her boyfriend to determine the degree of company involvement. They determine the meth is financing a volatile nano-drug.

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